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How To Use An Off Camera Flash Street Photography

Written By Saturday, March 19, 2022 Add Comment Edit
London Street Photograph . Woman and cell phone and poster
London, 2014

To make more dynamic, edgy, and powerful street photographs, use a flash.

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Mad men. NYC, 2017. Pentax 645Z

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In this guide, I volition walk you through how to use a flash in your street photography.

Why flash?

Flash. Ricoh GR II, popup flash, P mode. Tokyo, 2017
Flash. Ricoh GR 2, popup wink, P style. Tokyo, 2017

Benefits of flash in street photography:

  1. Separation of field of study from background. Yous can cause your discipline to "popular out" from the background (figure to ground composition principle).
  2. Increased contrast and saturation in your subject (makes for more than aesthetically pleasing pictures).
  3. More drama, dynamism in your street pictures.
  4. No blur or out of focus: Shooting with a flash in street photography (with the right settings) volition eliminate blur and out-of-focus pictures.

Misconceptions of flash in street photography

There is this incorrect conception that you lot shoot street photography with a flash to scare people, and to get 'shocked' reactions in a street movie. This is incorrect.

This is what happens when you shoot street photography with a wink:

  1. Y'all identify person you want to take a street photo of.
  2. You take a picture of them with a flash.
  3. They observe that you lot've taken a movie of them (because they saw the flash).

This is Non what happens when you shoot street photography with a flash:

  1. Yous identify person you want to have a street photograph of.
  2. They have a scared expression from the flash.
  3. You take a picture with a wink.

In other words,

When you meet a street photo of someone looking 'scared' in a picture, it is considering the subject saw the street photographer about to take the moving picture. The discipline is responding to the forward motion of the street photographer, not the activity of the flash or pic-taking itself.

I know my caption is bad, let me try to explain ameliorate.

Can a person react earlier the wink fires?

Leica MP + Leica Summicron 35mm f2 ASPH + Kodak Portra 400 + wink

If yous shoot two pictures with a flash, so the second picture can testify them being shocked from the flash.

  1. Subject is oblivious to y'all.
  2. You shoot first street photo with a flash.
  3. Subject notices yous taking you lot taking a picture of them with a wink, and gets startled or scared.
  4. Y'all shoot another picture with a flash, and therefore the 2nd moving picture you shot has your subject field looking agape or scared.

Case study: Jazz Easily, Hollywood, 2011

Jazz Hands. Hollywood, 2011 by ERIC KIM
Jazz Easily. Hollywood, 2011 by ERIC KIM

This is a flash street photograph I shot, and let me explain information technology to you.

  1. I saw interesting lady with a hat.
  2. I crouched downwardly, nigh to have a picture of her.
  3. Lady sees me crouching downwards and near to accept a picture, and therefore poses for me (jazz easily gesture).
  4. I take a picture with flash.
  5. We both walk away.
Eric Kim shooting Jazz hands. Action photo.
Eric Kim shooting Jazz easily. Backside the scenes photo.

People misinterpret this picture: they think the lady is shocked that I'm taking her picture. In reality, she's posing for me with the jazz hands gesture — she saw I was going to have a film of her (and because she knows that she is so glamorous), she gives me a gift by posing for me. And because she posed for me, the movie is much more dynamic and interesting.

Flash setup: I used a Canon 5D, Canon 24mm f2.viii lens, off-camera flash cable, and YuongNuo YN flash, with the flash positioned at a low angle, pointing up. The benefit of using a flash in this situation was that the lady was walking toward me (the sun was behind her), therefore if I did not use a flash, her face up would be all black, dark, and silhouetted. By using a wink, I lit upwards her face, and hands. And you can see the little sunburst of low-cal behind her head, from the sun.

Case study: Long distance flash

Shot in a restaurant with flash in Michigan, Lansing.
Shot in a restaurant with flash in Michigan, Lansing.

Shot with a film LEICA MP, 35mm, Leica SF twenty, Kodak Portra 400.

  • Aperture: f8
  • Flash ability: total power
  • Focus distance: 3 meters

I shot this motion picture in a dark restaurant in Lansing, Michigan. I saw this bored couple, and idea it would exist great for my 'SUITS' project. I turned the flash on full ability, and just took ane moving picture.

Afterwards taking the flick, I scared them and freaked them out because the flash was so vivid. They stared at me, and I said, "Cool eatery, huh?" (Pretending like I was just shooting the background). They both and then smiled and said, "Yeah!"

Lesson: If you do shock people from shooting a street photograph with flash, merely pretend like you shot something else.

Leica MP and 35mm f/2 Summicron + SF 20 flash
Leica MP and 35mm f/2 Summicron + SF 20 wink

Shooting with a wink through clear umbrellas

Tokyo Eric Kim rain umbrella
Tokyo. 2015. Shot with RICOH GR 2 in P MODE, with flash, through a translucent umbrella.

I was beginning inspired to shoot flash street pictures past my friend Charlie Kirk. Many of his great pictures in Tokyo were of people holding clear umbrellas, or he shot through a clear umbrella.

RICOH GR with popup flash.
Easy to access flash on the side. Why I love RICOH GR for wink.

Hither are some pictures I've shot with a RICOH GR II, in 'P' (programme) style, through a articulate umbrella, with the integrated popup flash.

Umbrella and flash in color. Kyoto, 2017
Umbrella and flash in colour. Kyoto, 2017. Ricoh GR II and flash, shot through clear umbrella.
Blue sky in the rain. Shot with a RICOH GR II in P mode, with flash, through translucent clear umbrella. Kyoto, 2017
Blueish sky in the rain. Shot with a RICOH GR II in P mode, with flash, through translucent clear umbrella. Kyoto, 2017

Example study: One flash flick without eye contact, and 1 with eye contact

Woman on phone, with billboard in background. Shot with a flash. I love the tension here. London Street Photograph by ERIC KIM, 2014.
London, Street Photograph with wink. Leica MP and flash.

I saw this woman on her phone, looking very intense. I saw a billboard of a adult female banging against the wall. I idea this would make a good 'juxtaposition' pic. I then shot with a flash, with my film Leica MP, aperture f8, flash at 1/8th power, focus distance 1.2 meters.

" data-medium-file="https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895.jpeg?fit=800%2C531&ssl=1" data-large-file="https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895.jpeg?fit=2000%2C1327&ssl=1" loading="lazy" class="size-medium wp-image-68494" src="https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895-800x531.jpeg?resize=800%2C531" alt="The second picture, after she saw I took a picture of her with a flash. I prefer the prior picture of her not noticing me. But I shot this second picture "just in case"." width="800" height="531" srcset="https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895.jpeg?resize=800%2C531&ssl=1 800w, https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895.jpeg?resize=768%2C510&ssl=1 768w, https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895.jpeg?resize=2000%2C1327&ssl=1 2000w, https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895.jpeg?resize=180%2C119&ssl=1 180w, https://i0.wp.com/erickimphotography.com/blog/wp-content/uploads/2017/11/ED235CF2-429D-4F2E-80FB-AAFFE7D75895.jpeg?w=2400&ssl=1 2400w" sizes="(max-width: 800px) 100vw, 800px" data-recalc-dims="1">
The second picture, after she saw I took a picture of her with a wink. I prefer the prior picture of her non noticing me. But I shot this second picture "merely in case".

What is the best flash for street photography?

Leica SF24D

As a side note, the all-time compact wink I recommend is the Leica SF xx (original Leica flash for pic cameras) or the Leica SF 24D (intended for digital Leica, thus the 'D' to denote 'digital', accept TTL automatic flash settings). Both are powerful, accept fast flash recycle times, and the batteries final a long time. Purchase them used.

As well if you have a choice, e'er apply automatic flash settings if your camera setup allows for information technology. This volition make shooting with a flash in street photography much more unproblematic. And if possible, use the integrated flash (if your camera has it). Otherwise, buy the smallest, most compact, flash for your camera.

Shooting with a flash, long distance, at night

Yellow sign pops out from the scene. London, 2015
Yellow sign pops out from the scene. Shot with a flash. London, 2015

Here, you tin see the effect of shooting with a flash, at a longer altitude with a flash.

The wink saturates the colors in the scene, and causes the cogitating objects to polish — which is an centre-popping effect.

Multiple bailiwick steet picture with a flash, at nighttime

Bookend technique with a flash, note how the figure on the far left and the far right frame the subject in the center of the frame. Tokyo, 2017
Bookend technique with a flash, notation how the figure on the far left and the far right frame the subject field in the center of the frame. Tokyo, 2017

You can as well try to experiment to shoot layers in steet photography at nighttime with a flash — a technique I haven't seen utilized much in street photography.

eric kim photography cindy and mom korea seoul flash
Seoul, 2016. Flash with layers of Cindy and my mom.

Heightened saturation of colors with flash

Street portrait with flash. Light-green shirt, makeup, and blue heaven pops out at night.

Some pictures shot with a wink in street photography — note the enhanced colors and saturation.

eric kim street photography - street portraits-2-bart-glasses
Ricoh GRII 10 Flash, 28mm, in macro way. Bright green tones.
Red hair on red background. Kodak Portra 400 with flash. London, 2014.
Red hair on ruby-red background. Kodak Portra 400 with flash. London, 2014. Bright cerise tones.
Philly. Portra 400 and flash. Blood-red hair against green groundwork.

Question Yourself: What would look interesting on a flash?

Reflection of flash through glass. Experiment shooting with a flash through glass, and observe the effect. I've found that shooting with a flash through glass darkens the background and the ambient scene.
Reflection of flash through glass. Experiment shooting with a wink through drinking glass, and observe the result. I've constitute that shooting with a flash through glass darkens the background and the ambient scene.

Some other tip with flash street photography: look for interesting textures or materials that would reverberate, or respond in an interesting manner to a flash. Look for crude textures, reflective textures, mirrors, and experiment in different lighting situations.

Suit Istanbul, 2013
Conform Istanbul, 2013. Shooting with a wink through the glass.
Selfie through broken glass with flash.
Selfie through cleaved glass with flash.
Woman with vent on head. Kyoto, 2017
Woman with vent on head. Kyoto, 2017. Reflection of flash against metal.
Construction site man, with flash. Shibuya, Tokyo 2017
Construction site human, with flash. Shibuya, Tokyo 2017. Note how the flash responds to the cogitating material on his belong.

You can besides experiment by shooting selfies of yourself and your partner, in elevators with mirrors and reflections:

eric kim Cindy project reflection flash

Flash allows yourself to have more flexibility in shooting locations

Man shot with flash in mall, with two people behind him, making triangle. Shibuya, Tokyo, 2017
Man shot with wink in mall, with 2 people behind him, making triangle. Shibuya, Tokyo, 2017

Shooting with a flash volition give you the freedom to shoot street photography in more than places and situations. For instance, shooting inside the mall, while people are moving around.

Woman going down escalator and flash. Tokyo, 2017
Off center composition of woman on far right of the frame. Shot on an escalator at the mall.

Or maybe even take a picture of a stranger in an elevator:

Leica MP + Leica Summicron 35mm f2 ASPH + Kodak Portra 400 + flash. Nice lady I met in an elevator in Chicago.
Leica MP + Leica Summicron 35mm f2 ASPH + Kodak Portra 400 + flash. Prissy lady I met in an lift in Chicago.
Downtown LA, 2016. Street portrait with flash in elevator, with purple colors.
Downtown LA, 2016. Street portrait with flash in elevator, with majestic colors.

Or crowded subway cars:

Contact sheet Istanbul
Contact sheet. Istanbul, 2015.

Flash and billboard juxtaposition

Man with face mask and billboard, shot with flash on RICOH GR II. Kyoto, 2017.
Man with face mask and billboard, shot with wink on RICOH GR Two. Kyoto, 2017.

As well, past using a flash to create a juxtaposition between the subject and background, you brand a more than surreal picture, because the brightness/exposure of the subject field and groundwork is the same — equalized by the wink.

Contact sheet. Kyoto man mask.
Contact sheet of shooting with a flash, and go along shooting until he noticed me.

Flash during the day, in open shade

Kyoto, 2017
Woman standing in front of Zara. Kyoto, 2017

I would actually say shooting with a wink is most beneficial during the day, in the shade.

Why? People don't really see the flash "go off" during the day (it is already bright). Your flash will create a prissy 'pop' in your picture, and separate your discipline from the background.

Street photograph of woman walking in Kyoto, 2017
Street photograph of woman walking in Kyoto, 2017, in open shade. RICOH GR Two

Slow shutter speed and flash (i/15th of a 2nd)

'Hearts' Downtown LA, 2011 (shot with the Leica M9 and a 35mm lens and flash)

If you lot ask to shoot a street portrait, and become permission, try to experiment 'dragging your shutter'— which means, to use a slower shutter speed (like 1/15th of a second). By using a longer/slower shutter speed, you will show more than ambience low-cal in the background.

For instance, await at the 'centre' or 'butterfly' light trails in the picture of the human with tattoos above. This was shot with around 1/15th shutter speed. If I used 1/125th of a shutter speed for flash, the groundwork would be totally black.

Experiment also when people are walking and moving:

Seoul, 2012. Shoot at 1/15th shutter speed.
Seoul, 2012. Shoot at one/15th shutter speed.

Flash and hands

Tokyo, 2011. Woman with hand.
Tokyo, 2011. Woman with hand.

Easily are interesting with a flash. Use a flash to uncover the subconscious textures.

Fingernails. Downtown LA, 2012. Leica M9 and flash.
Downtown LA, 2012. Leica M9 and wink.
Hands. Paris, 2015
Hands. Paris, 2015. Shot with a wink.
Hands of a 92 year old woman. Hanoi, 2017
Easily of a 92 twelvemonth old adult female. Hanoi, 2017. Shot with flash.

Exercise shooting flash in your everyday life

Cindy with hands over her face. Saigon, 2017
A photograph and a motion picture of Cindy. Wink in Saigon, 2017

I am lucky enough to take Cindy to shoot portraits of, many of the best pictures with a flash. If you lot take a friend, partner, or child — practice your flash with them.

Also, inquire your partner to take pictures of you (with a flash) to understand what it feels like to be on the other side of the lens.

Eric Kim eye. Photograph by Cindy.

Or photograph your own hands:

eric kim photography hands almonds
My hand full of almonds, at the gym, after deadlifts. Flash.

Experiment

Shooting street photography in Downtown LA with the Leica M9, 35mm lens, and off-camera flash. Photo by Rinzi Ruiz
Shooting street photography in Downtown LA with the Leica M9, 35mm lens, and off-photographic camera flash. Photo by Rinzi Ruiz

There is no ultimate i 'correct' or 'wrong' way to apply a flash in street photography. Just experiment, and effort it out for yourself.

Some flash street photography assignments for you to try out:

  1. Enquire a stranger for permission to shoot a street portrait of them with permission. Take 2 pictures: one with flash, and one without. See which you adopt.
  2. Shoot a self-portrait of yourself: 1 with flash, one without wink. Analyze the picture show, and see how furnishings the picture.
  3. For an entire day, only shoot with a wink.

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Source: https://erickimphotography.com/blog/2017/11/16/flash-street-photography-guide/

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